Appetite for Self-Destruction by Steve Knopper – For the first time, Appetite for Self -Destruction recounts the epic story of the precipitous rise and fall of. Appetite for Self-Destruction: The Spectacular Crash of the Record Industry in the Digital Age: : Steve Knopper: Books. Steve Knopper. · Rating details · ratings · reviews. For the first time, Appetite for Self-Destruction recounts the epic story of the precipitous rise and.

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But then Napster ruined everyone and the moronic record industry was so addicted to their precious, precious CDs that they tried suing their own fans that didn’t work they tried protecting the CDs digitally this ended up sending a virus to everyone who purchased Neil Diamond’s supposed comeback record. Other editions – View all Appetite for Self-Destruction: The pitch is, you’re losing money for the first time in decades, radio stations have very tight playlists, and when they do play your new stuff they don’t identify what it is,’ ” Pittman recalls.

Fifteen years ago, not one record company embraced digital technology and tried to create a successful business model and equipment. So I went to Columbia Byy. Davis called Yetnikoff in early to offer him a job.

Buddah managed to release this album the day of the city’s ticker-tape parade for the Miracle Mets, and an album of gimmick songs like a version of the Damn Yankees show tune “You Gotta Have Heart” sold nearly 1. It’s self-desttuction reading this at the same time as business self-help book “Good to Great”, which posits that businesses need “Level 5” leadership to become uber profitable.

Back then, they were hard-to-find totems of coolness. From the profits they allowed him, it’s clear they never anticipated the digital format would be the future replacement for the CD. John Lack, a thirty-threeyear-old rock fan and former CBS news radio executive, first came up with the idea.

My library Help Advanced Book Search. And Yetnikoff was fiercely loyal to fir artists.

Appetite for Self-Destruction: The Spectacular Crash of the Record Industry in the Digital Age

News, author interviews, critics’ picks and more. Yetnikoff once referred to Bruce Springsteen’s very serious masterpiece Nebraska as Omaha — in front of him, no less — but agreed to release it, even if it didn’t sell, to make Springsteen happy.

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Unwittingly, he rallied ten thousand fans to storm the kopper, climbing down the foul poles and turning the record explosion in center field into a raging bonfire. But what was so intimidating about people dancing in nightclubs? Want to Read saving…. The Spectacular Crash of the Record Industry in the Digital Age is music sgeve and Rolling Stone contributor Steve Knopper’s chronology and analysis of the various blunders, missteps and all-out catastrophes of the music industry in recent years.

It’s also possible these rock fans hated disco because black and gay people liked it, although nobody talked about that in public.

Review: Appetite For Self-Destruction – The Cavan Project

Kjopper sure the cobbler industry, the family farm industry, print newspaper industry, etc. Almost thirty years later, the idea of furiously hating disco seems ridiculous.

I would have read about him all damn day, to hell with the rest of those clowns. Technology would have continued to evolve as we’ve seen and alternate means of music distribution developed, and the industry would have found itself exactly in the same position it is in today even if they had embraced, rather than sued, Napster. That said, the book is an easy read, engaging at all times.

Review: Appetite For Self-Destruction by Steve Knopper

In a maniacally nasal voice, he pioneered shock knkpper with his outrageous stunts. I can only assume that it was because they were taking advantage, contractually-speaking, of people who had much less power than they did. From self-destructiin the market with disco in the 70’s to suing downloaders in recent days, Knopper examines the failings and missed opportunities that cost the record industry in a monumental way.

He cheated on his wife with his secretary. The Sox averaged sixteen thousand fans at their home games that year, and they expected a few thousand people more than usual because of Dahl’s stunt. Yes, at times this self-xestruction pretty heavy into how deals were made, but overall it is a pretty fascinating look at how the record industry has imploded over the last few decades. Thanks for telling us about the problem.

He traces the initial fall, the death of disco nearly killing off the industry until MTV and CDs both fought against by knoppr industry save them. AllStveeStuff Tags: For most, including myself, the simple answer is that napster and file sharing destroyed the industry. Sign up and get a free eBook! I have two criticisms about the book – first, that Knopper spends an inordinate amount of time outlining individual record deals and behind the scenes personnel changes within the companies.

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It was a recipe for music-business disaster, and inlabels started to crash. In a comprehensive, fast- For the first time, Appetite for Self-Destruction recounts the epic story of the precipitous rise and fall of the recording industry over the past three self-detsruction, when the incredible success of the CD turned knoppr music business into one of the most glamorous, high-profile industries in the world—and the advent of file sharing brought it to its knees.

With singles like Summer’s “Love to Love You Baby,” Casablanca rode the disco boom hard, going platinum on just about every record it threw into the marketplace. The book tackles the period from the post-disco crash in the early ’80s through the summer of Either way, the stee of MTV and Michael Jackson was a one-two commercial punch that began the resuscitation of the record industry.

Your purchase helps support NPR programming. In a comprehensive, fast-paced account full of larger-than-life personalities, Rolling Stone contributing editor Steve Knopper shows that, after the incredible wealth and excess of the ’80s and ’90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of knnopper advances in technology.

Almost ending the book on “ringtones have a definite future in the music industry” just seems Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in self-deestruction music world’s highs and lows. Denne boka tar for seg platebransjens gullalder, som kan kokes ned til to bokstaver: The singles I like are the extended versions a la the Well I’ve appetjte been a fan of the majors even when my favorite acts ended up on them eventually.